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Wolfgang Pölzer and Barbara Lackner
The best diving waters in Austria
3rd updated and expanded edition
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Peter Verhoog and Georgina Wiersma
This book invites you on a mesmerizing journey into the deep blue and beyond the Hollywood image of sharks as fearsome monsters.
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Latest news going up
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Come with us to our NEW FaceBook page
Photo & Video Workshops
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20 Nov 2010 - 4 Dec 2010
Dive into the crystal clear sacred waters of the Mayas! The extensive cave system lying under the Yucatan Peninsula is like a Swiss cheese, full of holes! And after 180 degree turn you go from fresh to salt water!
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20 Nov 2010 - 2 Dec 2010
Come dive the famed reefs of Raja Ampat with Wetpixel! Raja Ampat, Indonesia, is generally considered to be the center of tropical marine biodiversity. Lush, colorful coral reefs are a backdrop for exceptional fish and invertebrate life.
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Join Eric Cheng and Alex Mustard in an underwater photography expedition to Alaska in June 11-23, 2011. We'll be aboard the liveaboard dive vessel, the Nautilus Explorer, for 13 days of exploration between Sitka and Ketchikan.
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2 Apr 2011 - 8 Apr 2011
DO YOU WANT TO LEARN TO SHOOT SHARKS LIKE A PRO?
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Illumination
âDaylight is a constant light source that influences the film or the CCD-sensor in a digital camera as long as the shutter is open. This creates a photographic rule; the longer the shutter remains open with the same aperture, the brighter the image will be. Another aspect in daylight photography is the speed of the subject. To catch the image of a rapid swimming pilot whale, you should not go below 1/250 second. If you do, your image will be blurred.
âStrobes, on the other hand, release their flash in a fraction of a second and are always faster than the shutter. Hence, fast moving subjects are no problem for strobes, as the light emitted will âfreezeâ the subject in the image.
Exposure techniques
The most ideal subjects are sea mammals that swim near the surface. The best way to catch images of these animals is by snorkelingâin this way, a strobe is redundant. Additionally, images captured without a strobe are clearer than with one.
âEven in the clearest water, you will always find particles that will reflect the strobe light. Also in wreck and landscape photography, you can often skip the strobe if the distances to the subject are not too great. Images donât get more expressive (color rich) under water, because the red color disappears already at three meters distance anyway.
âImage techniques for under water daylight images are no different from those used above the surface. But ideally, an underwater photographer should only work with two kinds of exposure techniques: manual or shutter priority. These are the only ways which allow you to adjust the shutter speed according to the movement of the subject.












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